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Meditations Chakra Breathing
Eyes remain closed for the whole meditation. First stage 45minutes:
Stand with your feet apart as wide as your shoulders. Open your mouth
and begin to take deep rapid breaths into your chakras, your energy
centers. Start with the lowest center, the first chakra. Whenever
you hear the bell, then move your breathing up into the next chakra.
Your breathing should become more rapid and more gentle as you move
upwards through each of the chakras. Let your body be loose and relaxed.
You can move, shake, or do any slight movement that will support your
breathing. At the seventh chakra, you will hear three bells. Now let
your breathing turn and slowly fall back through all the seven chakras
down to the first again. You have about two minutes to reach back
to the first chakra. This cycle is repeated three times. You will
be guided through the meditation. Second Stage 15 minutes: Sit down
with your eyes closed, be silent and watch whatever is happening within.
Chakra Sound
This meditation uses vocal sounds made by the meditator along with
music to open and harmonize the chakras while bringing awareness to
them. The meditation can bring you into deep, peaceful, inner silence
either through making your own vocal sounds or by just listening to
and feeling the sounds within you. This meditation can be done at
any time. First stage (45 minutes music): Stand, sit comfortably,
or lie down if you prefer. Keep your back straight and your body loose.
Breathe into your belly rather than your chest. The sounds should
be made with your mouth open and your jaw loose, keeping your mouth
open the whole time. Close your eyes and listen to the music; if you
wish, start making sounds in the first chakra. You can make a single
tone or you can vary the tone. Let the music guide you; however, you
can be creative with your own sounds. While listening to the sound
of the music or the sounds that you make, feel the sounds pulsating
in the very center of your chakra, even if it seems to be imagination
at first. Osho has suggested that we can use
the imagination in "becoming attuned to something that is already
there". So keep doing the meditation even if it feels like you may
be imagining the chakras. With awareness your imagination can lead
you to an experience of the inner vibrations of each center. After
making sounds in the first chakra, you will hear the tones change
to a higher pitch - this is the indication to listen and feel sounds
in the second chakra. If you wish, you can continue making sounds
also. This process is repeated all the way up to the seventh chakra.
As you move from chakra to chakra, let your sounds become higher in
pitch. After listening to and making sounds in the seventh chakra,
the tones will descend one at a time down through all the chakras.
As you hear the tones go down, listen and make sounds in each chakra.
Feel the inside of your body becoming hollow like a bamboo flute,
allowing the sounds to resonate from the top of your head down to
the very base of your trunk. At the end of the sequence, you will
hear a pause before the next sequence starts. This upward and downward
movement of sound will be repeated three times for a total of approximately
45 minutes. After you have become familiar with the meditation, you
can add another dimension to it through visualization. Be open to
allowing visual images to appear in your imagination as you focus
on each chakra. There is no need to create images, just be receptive
to any which may come. The images could be colors, patterns or scenes
of nature. What comes to your awareness may be visual, or it may be
more natural for you to have a thought rather than a visual image.
For example, you may think "gold" or you may see color in your imagination.
Second stage (15 minutes silence): After the last sound sequence,
remain sitting or lying down in silence with closed eyes. Remain in
silence and don't focus on anything in particular. Allow yourself
to become aware of and watch whatever is happening within. Be relaxed
and remain a witness, not judging it. Devavani
Devavani is the divine voice which moves and speaks through the meditator,
who becomes an empty vessel, a channel. This meditation is a Latihan
of the tongue. It relaxes the conscious mind so deeply that when done
last thing at night, it is sure to be followed by a profound sleep.
There are four stages of 15 minutes each. Keep your eyes closed throughout. The Secret of the Golden Flower
Osho suggests that the best time to do this
meditation is just on waking in the morning, before getting out of
bed and just before falling asleep in the evening. He describes the
meditation as follows: Simply lie down, as you are lying down in your
bed, on your back. Keep your eyes closed. When you breathe in, just
visualize great light entering from your head into your body, as if
a sun has just risen close to your head - golden light pouring into
your head. You are just hollow and the golden light is pouring into
your head, and going, going, going, deep, deep, and going out through
your toes. And when you breathe out, visualize another thing: darkness
entering through your toes, a great dark river entering through your
toes, coming up, and going out through the head. Do slow, deep breathing,
so you can visualize. Go very slowly. Let me repeat: Breathing in,
let golden light come into you through your head, because it is there
that the golden light is waiting. The golden light will help. It will
cleanse your whole body and will make it absolutely full of creativity.
This is male energy. Then when you exhale, let darkness, the darkest
you can conceive, like a dark night, river like, come from your toes
upwards - this is feminine energy, it will sooth you, it will make
you receptive, it will calm you, it will give you rest - and let it
go out of the head. Then inhale again, and golden light enters in.
Do it for twenty minutes early in the morning. And the second best
time is when you are going back to sleep, in the night. Lie down on
the bed, relax for a few minutes. When you start feeling that now
you are wavering between sleep and waking, just in that middle, start
the process again and continue for twenty minutes. If you fall asleep
doing it, it is best, because the impact will remain in the subconscious
and will go on working. And after a three month period you will be
surprised: the energy that was constantly gathering at the muladhar,
at the lowest, the sex center, is no longer gathering there. It is
going upwards. Osho - The Secret of Secrets,
Vol. 2 Dynamic
Dynamic Meditation lasts one hour and is in five stages. It can be
done alone, and will be even more powerful if it is done with others.
It is an individual experience so you should remain oblivious of others
around you and keep your eyes closed throughout, preferably using
a blindfold. It is best to have an empty stomach and wear loose, comfortable
clothing. Gourishankar
This technique for the nighttime consists of four stages of 15 minutes
each. The first two stages are preparation for the spontaneous Latihan
of the third stage. If the breathing is done correctly in the first
stage, the carbon dioxide formed in the bloodstream will make you
feel as high as Gourishankar (Mt. Everest). Kundalini
Kundalini is one of Osho most popular and powerful
techniques. Much Kundalini energy will be awakened in you. You will
feel alive with it, vibrating with it. After the energy has been awakened,
dancing is used to disperse the energy in order to return it back
to the universe. Then silence follows, stillness follows. Mandala
Osho Mandala Meditation is a powerful, cathartic
technique that creates a circle of energy for natural centering. There
are four stages of 15 minutes each. Nadabrahma
An ancient Tibetan Buddhist technique that was originally done in
the very early hours of the morning. It is suggested that it should
be done either at night before going to sleep or during the morning,
when it should be followed by at least 15 minutes rest. First stage
30 minutes music: Sit in a relaxed position, with eyes closed, lips
together. Begin to hum, loudly enough to create a vibration throughout
the entire body. It should be loud enough to be heard by others. You
can alter pitch and inhale as you please, and if the body moves allow
it, providing that the movements are smooth and slow. Visualize your
body as a hollow tube, an empty vessel, filled only with the vibrations
of the humming. A point will come when the humming occurs by itself
and you become the listener. The brain is activated and every fiber
cleansed (it is particularly useful in healing). Second Stage 15 minutes
music: Move the hands, palms up, in a circular outward motion. The
right hand moves to its right, the left to its left. Make these circles
large, moving as slowly as possible. At times the hands will appear
not to be moving at all. If needed, the rest of the body can move
but also slowly and silently. After 7 and a half minutes the music
changes, move the hands in the opposite direction; that is, with the
palms down, in circular motion inwards towards the body. Move the
hands for another 7 minutes and a half. As the hands move outward,
imagine giving to existence, and when they move inward, imagine receiving
from existence. Third Stage 15 minutes silence: Lie down absolutely
still and quiet. Nataraj
Nataraj is dance as a total meditation. No Dimension
This meditation,
which originated from Gurdjieffian movements, is a centering dance as
well as a good preparation for whirling. It lasts one hour and is in
three stages. First stage (30 minutes music): A six part movement repeated
continuously for 30 minutes. Stand with your hands on the belly. Listening
to the music, get into the rhythm of the breathing. 1. Breathe in through
the nose and bring the hands up to the heart. While breathing out through
the mouth move the right arm and foot forward and let the left hand
return to the belly. Then return to the original stance.2. Repeat the
breathing and movement with left arm and foot moving forward, while
the right hand returns to the belly, and then return to the original
stance.3. Repeat the breathing and movements with right arm and foot
moving sideways to the right, in a 90 degree turn.4. Repeat the breathing
and movements with left arm and foot moving sideways to the left, in
a 90 degree turn.5. Repeat the breathing and movements with right arm
and foot moving behind, in a 180 degree turn.6. Repeat the breathing
and movements with left arm and foot moving behind, in a 180 degree
turn. Remember always to move from the center (hara), using the music
to keep the correct rhythm. Movements should be in a continuous flow
and not automatic. The dance starts slowly and builds up in intensity.
If the body falls down by itself, this is also fine. Second stage (15
minutes music): Whirling. Turn counterclockwise keeping the eyes open
a little, arms stretched out with the right palm turned upward and the
left palm facing the ground. Breathe normally and let the whirling take
you over. If you feel discomfort from whirling counterclockwise, you
can change to clockwise and reverse position of the hands. If a sensation
of nausea arises, focusing the eyes on the left hand or thumb can be
helpful. To end the whirling, slow down and allow the arms to fold over
the chest and heart. Third stage (15 minutes silence): Lie down, preferably
on the belly, with eyes closed. Just go inside and allow witnessing
to happen. No Mind Shiva Netra
Shiva Netra (Shiva's eyes) is a meditation on the third eye. It is
made of three stages repeating three times, for a whole of six stages
of ten minutes each. Vipassana
Buddha's way was VIPASSANA - vipassana means witnessing. And he found
one of the greatest devices ever: the device of watching your breath,
just watching your breath. Breathing is such a simple and natural
phenomenon and it is there twenty-four hours a day. You need not make
any effort. Buddha discovered a totally different angle: just watch
your breath - the breath coming in, the breath going out. There are
four points to be watched. Sitting silently just start seeing the
breath, feeling the breath. The breath going in is the first point.
Then for a moment when the breath is in it stops - a very small moment
it is - for a split second it stops; that is the second point to watch.
Then the breath turns and goes out; this is the third point to watch.
Then again when the breath is completely out, for a split second it
stops; that is the fourth point to watch. Then the breath starts coming
in again... this is the circle of breath. If you can watch all these
four points you will be surprised, amazed at the miracle of such a
simple process - because mind is not involved. Watching is not a quality
of the mind; watching is the quality of the soul, of consciousness;
watching is not a mental process at all. When you watch, the mind
stops, ceases to be. Yes, in the beginning many times you will forget
and the mind will come in and start playing its old games. But whenever
you remember that you had forgotten, there is no need to feel repentant,
guilty - just go back to watching, again and again go back to watching
your breath. Slowly slowly, less and less mind interferes. And when
you can watch your breath for forty-eight minutes as a continuum,
you will become enlightened. You will be surprised - just forty-eight
minutes - because you will think that it is not very difficult...
just forty-eight minutes! It it is very difficult. Forty-eight seconds
and you will have fallen victim to the mind many times. Try it with
a watch in front of you; in the beginning you cannot be watchful for
sixty seconds. In just sixty seconds, that is one minute, you will
fall asleep many times, you will forget all about watching - the watch
and the watching will both be forgotten. Some idea will take you far
far away; then suddenly you will realize... you will look at the watch
and ten seconds have passed. For ten seconds you were not watching.
But slowly slowly - it is a knack; it is not a practice, it is a knack
- slowly slowly you imbibe it, because those few moments when you
are watchful are of such exquisite beauty, of such tremendous joy,
of such incredible ecstasy, that once you have tasted those few moments
you would like to come back again and again - not for any other motive,
just for the sheer joy of being there, present to the breath. Remember,
it is not the same process as is done in yoga. In yoga the process
is called PRANAYAM; it is a totally different process, in fact just
the opposite of what Buddha calls vipassana. In pranayam you take
deep breaths, you fill your chest with more and more air, more and
more oxygen; then you empty your chest as totally as possible of all
carbon dioxide. It is a physical exercise -- good for the body but
it has nothing to do with vipassana. In vipassana you are not to change
the rhythm of your natural breath, you are not to take long, deep
breaths, you are not to exhale in any way differently than you ordinarily
do. Let it be absolutely normal and natural. Your whole consciousness
has to be on one point; watching. And if you can watch your breath
then you can start watching other things too. Walking you can watch
that you are walking, eating you can watch that you are eating, and
ultimately, finally, you can watch that you are sleeping. The day
you can watch that you are sleeping you are transported into another
world. The body goes on sleeping and inside a light goes on burning
brightly. Your watchfulness remains undisturbed, then twenty-four
hours a day there is an undercurrent of watching. You go on doing
things... for the outside world nothing has changed, but for you everything
has changed. Whirling
Sufi Whirling is one of the most ancient techniques, one of the most
forceful. It is so deep that even a single experience can make you
totally different. Whirl with open eyes, just like small children
go on twirling, as if your inner being has become a center and your
whole body has become a wheel, a potter's wheel, moving. You are in
the center but the whole body is moving.
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